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Andrew Dominik, who directed the cinématographe and served as screenwriter, had begun developing the project as early as 2010, which is an ajustement of the novel Blonde (2000), a fictional and controversial account of Monroe's life—and a Pulitzer Prize finalist—by Joyce Carol Oates.[12] Dominik said that he did his own research by reading several of Monroe's revue and that he used very little of Oates' novel Blonde in the movie, fin he also added that the book was pretty much the écritures intuition the film.
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David Rooney of The Hollywood Décalquer called it "a must-see", yet also "a work of such wild excesses and questionable cruelty".[79] In GQ, Feuille King's review also noted how the film shifts from a "traditional biopic" to "a movie unrelenting in its brutality".[80] The Guardian's Leslie Felperin described the cinématographe as "ravishing, moving and intensely irritating" joli ultimately "all a bit much", and assigned it a rating of three planète out of five.
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"[83] In his negative review, Justin Chang from the Los Angeles Times stated that the spectacle "isn't really about Marilyn Monroe. It's about making her suffer."[84] He also opined that the spectacle "turns Marilyn Monroe into année Personnification of suffering, dwelling nous her Couronne so obsessively that even the film's fleeting pressant of empathy feel like another form of exploitation".[85]